Social Listening with Anna - DARE to listen - Week 2 - 3

DARE to listen – (Diverse - Accessible - Recognition - Education)

Over the last three weeks, it has been a pleasure to revisit many of my favorite composers. As usual, I reflect on past opportunities and experiences in my own professional life. Several years ago, I had the amazing opportunity to give a lecture at the Conducting Institute at Oxford. A statement I made concerning diversity continues to steer me in the way I choose to lead my musical life – “Although gender issues can be tricky – I love to talk about gender. I find it fascinating, especially at this point in my career. Of course, I realize that this may not be true for everyone….”

Though gender is one part of inequity in our culture, there are other groups that continue to be underrepresented - specifically people of color and LGBTQ. Over the next few weeks, I hope you will join me in my exploration of fantastic music by amazing composers we should all know.

Although none of us would have EVER predicted a worldwide pandemic, I am appreciative of the time to share diverse, accessible, recognizable, and equitable music that I love. It is my belief that in order to move to a more successful and equitable future, we must DARE to listen and perform. There is so much great talent out there – I hope you will join me.

Below is my listening list from March 30 - April 12

Sarah Bassingthwaighte (March 30, 2020)

·      A Mountain Symphony – 1. Flowing (World Premiere, Seattle Collaborative Orchestra - 2012)

·      A Mountain Symphony – 2. Pesante (World Premiere, Seattle Collaborative Orchestra - 2012)

·      Echo of the Ancients (for four flutes)

Stacy Garrop (March 31,2020)

·      Pandora Undone

·      Penelope Waits (part of the Mythology

·      Bohemian Café (for Woodwind Quintet and double bass/or cello)

Jessie Montgomery – (April 1, 2020)

·      Starburst

·      Strum

·      Source code

Jennifer Higdon (April 2, 2020)

·      Violin Concerto

·      Concerto for Orchestra

·      Light Refracted for clarinet, violin, viola, cello, piano

Missed Concert – Lyrical Goodbye (April 3, 2020)

·      Astoria Window

·      George Walker – Lyric for Strings

·      Stacy Garrop – Penelope Waits

·      Kurt Weill – Symphony No. 2

Julia Perry – (April 4, 2020)

·      Short Piece for Orchestra (Seattle Collaborative Orchestra)

·      Stabat Mater

·      Pastoral (Cleveland Chamber Symphony)

Louise Farrenc (1804 – 1875) -  (April 5, 2020)

·      Symphony No. 3

·      Piano Quintet no. 2 in E, op. 31 - Andante

·      Nonet in E-flat major, op. 38

Alexandra Gardner (for April 6, 2020)

·      The Way of Ideas (for flute, clarinet, violin, & cello)

·      Coyote (for string quartet)

·      Banyan

Margaret Brouwer (for April 7, 2020)

·      Sizzle

·      Aurolucent Circles for Solo Percussion and Orchestra (with the fabulous Evelyn Glennie)

·      Pulse

Caroline Shaw (April 8, 2020)

·      Partita for 8 Voices (Roomful of Teeth)

·      Entr’acte (Calidore Quartet)

·      Orange

Anna Clyne (for April 9, 2020)

·      This Midnight Hour (with Frankfurt Radio Symphony)

·      Within Her Arms – (for string orchestra)

·      The Violin – Complete Works (seven pieces for multi-tracked violins) – Blue Hour

Nancy Galbraith (for April 10, 2020)

·      Euphonic Blues

·      A Violet Pulse

·      Everything Flows – Concerto for Percussion and Orchestra (Abby Langhorst, percussion and Carnegie Mellon Contemporary Ensemble: Daniel Curtis – conductor)

Emilie Mayer (For April 11, 2020)

·      Faust Overture - 1880 (with Seattle Collaborative Orchestra)

·      Symphony No. 4 in B minor - 1851

·      String Quartet in e minor

Lili Boulanger (for April 12, 2020)

·      D'un matin de printemps (Seattle Collaborative Orchestra)

·      Pie Jesu (Nadia Boulanger – conducting)

·      Nocturne for Violin and Piano